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The director of a documentary about Matthew Perry discussed earning his sister’s trust and explaining how the actor died. The film offers a family-connected account of Perry’s life and death, aiming to inform fans with sensitivity.
The Guardian reviewed Macklemore’s Free Palestine tour concert, calling it a triumphant show with guest performances from Hozier, Kneecap and others. The event blends live music with pro-Palestinian advocacy, underscoring how artists are using concerts to amplify political solidarity.
The anime phenomenon Chiikawa remained unstoppable at the South Korean box office, while director Yeon Sang-ho’s new thriller Paradise Lost debuted in theaters. The results highlight the continued box-office strength of anime in Korea and the opening performance of a major local filmmaker’s latest release.
Variety is asking whether “You Can See Everything” can beat DC’s “Clayface” at the box office. The comparison frames a competitive matchup between two films and highlights the commercial stakes for their studios. Box office results will signal audience demand and each project’s market strength.
A Hacker News-linked critique argues that the Elizabeth Holmes documentary “You Can See Everything” misrepresents key facts about the Theranos founder and the scandal. The critique matters because documentaries shape public understanding of fraud and Silicon Valley accountability.